2017年7月14日星期五

Fwd: Turkey arrests Amnesty International’s local director


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From: The Economist News Desk <noreply@email.economist.com>
Date: Fri, Jul 14, 2017 at 1:23 PM
Subject: Turkey arrests Amnesty International's local director
To: badvogato@gmail.com


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Daily Dispatch | Friday | July 14th 2017
 
 
 
 
Turkey and the West: Travesty international
In 1998 Recep Tayyip Erdogan, then Istanbul's mayor, was jailed for reading out a poem. Amnesty International wrote to the government and demanded his release. Last week the Turkish government, with Mr Erdogan as president, arrested the human-rights group's local director. Tomorrow he will spend the first anniversary of Turkey's failed coup in jail. The West's silence over the repression in Turkey is becoming ever harder to maintain
 
 
 
 
Trumpcare: Version three
Is the Senate's revised health-care proposal a good bill? And will it pass? (Ideally these two questions would be related. But they are not.) It would probably leave more Americans without usable health care and it does not do much to reduce the cost or increase the quality of care. It is not a good proposal. Yet there is a 50:50 chance that the bill, or something like it, will become law, writes our United States editor
 
 
 
 
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EU bureaucrats: Expect the unelected
Eurosceptics are fond of referring to European Union officials as "unelected bureaucrats". But every government has bureaucrats, who are by nature unelected. If anyone proposed a direct EU-wide election for the president of the European Commission, Eurosceptics would surely reject it. Critics do have a valid case against the EU: not that its bureaucrats are unelected, but that they are too insulated from democracy, writes our Europe editor
 
 
 
Brexit and airlines: Prepare for a hard landing
Today EasyJet, Europe's second-biggest budget airline, revealed it will set up a subsidiary in Austria. Other airlines with British ownership are checking their options. They fret that a hard Brexit might strip British carriers of their right to fly routes within the EU. The most pessimistic in the industry say there is a real prospect that flights between Britain and the continent could be halted altogether in 2019, writes our business-travel editor
 
 
 
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The Random House Publishing Group seeks an Executive Editor to acquire, edit and publish prominent nonfiction books for the Random House imprint. This position manages all aspects of the editorial process, from acquisition to development to publication. Responsible for conceiving new book ideas and for bringing new authors to the imprint.

Responsibilities:
•       Acquires manuscripts that meet the goals of the Random House publishing program
•       Proposes and evaluates new projects; works with high-level authors on shaping and developing material
•       Negotiates purchase of acquisition contracts with current and new authors
•       Manages the imprint/division’s relationships with key authors
•       Collaborates with design and production departments on style, schedule, format, and aesthetics of publication
•       Performs other related duties as assigned or required

Candidates must have significant editorial experience. The ideal candidate has excellent negotiation skills, the ability to meet deadlines, and a knack for working well with writers.  Candidates must possess strong communication skills, both verbal and written.

Penguin Random House is the leading adult and children’s publishing house in North America, the United Kingdom and many other regions around the world.  In publishing the best books in every genre and subject for all ages, we are committed to quality, excellence in execution, and innovation throughout the entire publishing process: editorial, design, marketing, publicity, sales, production, and distribution.  Our vibrant and diverse international community of nearly 250 publishing brands and imprints include Ballantine Bantam Dell, Berkley, Clarkson Potter, Crown, DK, Doubleday, Dutton, Grosset & Dunlap, Little Golden Books, Knopf, Modern Library, Pantheon, Penguin Books, Penguin Press, Penguin Random House Audio, Penguin Young Readers, Portfolio, Puffin, Putnam, Random House, Random House Children’s Books, Riverhead, Ten Speed Press, Viking, and Vintage, among others.  More information can be found at http://www.penguinrandomhouse.com/.

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2017年4月25日星期二

洋人看京戏及其他001

洋人看京戏及其他


http://www.saohua.com/shuku/zhangailingquanji/001-37.htm

Peking Opera and other tales through the eyes of clueless onlookers
written by Eileen Chang, originally published in 1943

If we examine affairs of all things Chinese as if we were foreigners watching Peking Opera, it could be fun and meaningful again.  With bamboo cloth line and baby diapers hanging over viewers' heads; Glasses over the counter top filled with "longevity spirit from Ginshen";  Radio playing famed Mei Lanfang operatic voices over the wavelength from one corner; and from another, advertisement of miracle ointment to cure and sooth contagious scabies or itching ... that's all what it means to be living in Chinese atmosphere, their multiplicity, poignancy, mysterious or too funny for words.

Many young generation worldly men loved China but had no idea what attracted them to its culture.  Unconditional love is quite admirable -- the only danger is that sooner or later,  when reality bites, they are unprepared for its deadly touch, inhaling into their chests its full blown coldness and their hearts gradually turned into icicles. We are unfortunately to live among local Chinese populace, unlike other expatriates, safely worshiped their motherland afar with awe and affectionate undying love. So come and take a much closer look!  Re-examine Chinese life through clueless foreigner's glasses while they listen to our Peking opera, with big surprises and intrigues, we might gain loving insights that otherwise we don't know it is always there.

Whenever I had a conversation longer than three sentences, I couldn't continue without mentioning Peking opera. And why is that, you may wonder. That's because I don't make a living to sing Peking opera yet I am full of curiosity towards it. As far as living a life, who wouldn't admit that they only have half of the clues? I am particularly fond of using Peking opera to set a proper attitude towards life as how Chinese live in it.

Those fair ladies from Peking opera troops who've played big roles on stage, when they learned that you like watching Peking opera, they would smile and say: " You know Peking opera, that is a sophisticated showbiz all in itself. Directing each stage and scene setting with proper costumes, that involves much subtleties and minute details, you could probably spend your whole life to understand what it might entail. "  Of course, I wouldn't have any clue if they were put on wrong costumes for a historical period of time; and if their tunes were a bit off the scores, I wouldn't notice anything either. I only love to sit in front rows, totally immerse myself into actors' actions on stages;  let myself being blown away by those colorful blue and golden painted face under bulky armories, long capes flowing up and showing its red inlines,  jade green trousers flipping out purple underlines.

Opinions by outside observers are sometime invaluable, or else whenever American journalists interview some big shots,  why they always like to pick topics that is totally unrelated to their professed expertise? For example, when they interview a female murder suspect, they want to know if she was optimistic on how our world might end; interviewing a boxing champion, they ask him if he approves adaptation of Shakespearian play into modern fashion show. Of course, they need to attract viewers, to make them laugh and feel good about themselves, thinking: "I know even more than these social celebrities.  Famed people can be dumber than me!"  On the other hand, outsiders might have a fresher and simpler outlook, that is worth uncovering.

In order not to take myself too serious, let's talk about 话剧里的平剧罢。《秋海棠》一剧风魔了全上海,不能不归功于故事里京戏气氛的浓。紧跟着《秋海棠》空前的成功,同时有五六出话剧以平剧的穿插为号召。中国的写实派新戏剧自从它的产生到如今,始终是站在平剧的对面的,可是第一出深入民间的话剧之所以得人心,却是借重了平剧——这现象委实使人吃惊。


🏆  We the Internet TV won a Webby! 🏆

Beating Conan O'Brien and others...
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We the Internet TV won Best Film & Video – Variety category in the 21st Annual Webby Awards!

The Moving Picture Institute is proud to announce that our comedy news channel, We the Internet TV, has won Best Film & Video – Variety category in the 21st Annual Webby Awards

So thank you to you and all of our fans who watch, like, comment, and subscribe

The Best Film & Video – Variety category is a coveted Webby Awards category. Selected as the official category winner by the Webby's elite panel of judges, We the Internet TV beat out stiff competition from Conan O'Brien's Serious Jibber-Jabber, Elite Daily's Gen Why, and Independent Films' Kidspiration.

The Webby Awards is the Internet's most respected symbol of success. With 13,000 entries from all 50 U.S. states and over 70 countries—and 3.5 million votes cast in The Webby People's Voice Awards—the 21st Annual Webby Awards is the biggest in their history. As a Webby winner, We the Internet TV truly sets the global standard for Internet excellence.

From head writer Lou Perez: "All of us at We the Internet TV are honored to receive this Webby award. In a world oversaturated with political comedy content, we've always believed the way to break through and be seen was to keep hammering home our truly unique perspective on politics, culture, and life. Every day we're seeing more fans discovering us; this Webby award is validation that the industry is watching, too."

We the Internet TV will be honored at the star-studded Webby Awards ceremony on Monday, May 15, 2017, at Cipriani Wall Street in New York City.

We the Internet TV fans can watch the award ceremony on The Webby Awards YouTube channel at 9am on Tuesday, May 16, 2017.
In other news:
  • Calling all filmmakers! The 2017 Collaboration Filmmakers Challenge kicks off May 16th. This is a chance to win major prizes, including a $5,000 Feature/TV pilot development deal with Adi Shankar's Infinite Ammo Productions!
  • Mama Rwanda, an MPI documentary from Laura Waters Hinson about entrepreneurial mothers in Rwanda, is now available for campus and community screenings! Email nicole@thempi.org to bring the film to your group.
  • We are HIRING! Currently, we are looking for a Director of Major Gifts. Interested parties should email Steve.Ankney@roberthalfes.com for more information.
The Moving Picture Institute is a modern-media production house and talent incubator that creates and supports high-impact film and video content designed to entertain, inspire, and educate audiences with captivating stories about human freedom.

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